The recording picks up with the red, yellow and green buoyancy of 'Zimbabwe', a statement of Marley's support of guerrillas fighting for racial independence in the country. This song is most likely the third or fourth song in the show as set list examination from concerts later in the tour reveals that 'Natural Mystic', 'Positive Vibration' and 'Revolution' often preceded 'Zimbabwe'. 'War/No More Trouble' is featured toward the end of this recording here, differing from its earlier position later in the tour.
One of the revelations to appear from the tape follows with a version of 'Talkin Blues'. A warm stone in the sun, made for daydreaming, is the foundation of this rare 1980 performance. The stair climbing ascending and descending central riff lends a smoky positivity to the 'blues' content of the track. A true highlight of the show with syncopated solo section that pops with Rasta energy.
The same rings true for the 'new' song from the yet to be released Uprising album 'We and Dem' that follows. The song rolls out on a fat round bass tone, thumping into a slow burn. The track is not as tight as the preceding numbers, possible cause for its eventual disappearance from the set. The rarity factor is high here, and the sound quality makes it all worth wile in spite of some tentativeness by the players.
'Jammin' and 'Exodus' follow keeping the momentum high and the lyrical content diverse. 'Jammin' dissolves into a bass laden vocal jam that builds into the concluding exit instrumental. Without pausing 'Exodus' pulses heavily as soon as 'Jammin' concludes, shifty and dramatic, the performance continues to amaze. An electric Rasta revival is taking place on the recording, with special notice to the knotted rope keyboards adorning the track.
The main set concludes with 'Exodus' and the band returns to the stage for a rendition of 'Redemption Song'. Endearingly out of tune on his acoustic, Marley still inspires chills with his soulful reading. The lyrics sung acapella are especially affecting, with Marley then wordlessly vocalizing a melody line that the full band picks up on to conclude the song.
A 'rock room' favorite 'War/No More Trouble returns the concert to full on 'burnin' mode. Heavy percussion and crisp execution abound, the musical starts and stops are bulls eye hits. Masterfully mixing the 'heavy' tunes with the 'lighter' stuff, a funky 'Kinky Reggae' comes next following 'War' and preceding and segueing into the show closing 'Get Up, Stand Up'.
Thus ends our journey through the newly circulating Bob Marley and the Wailers performance from 1980. A welcome addition to collectors circles as well an amazingly well played performance that no one has ever had the pleasure to enjoy before. This one pleases the Marley aficionado's because of the unique features of the performance, but can also be enjoyed by those being introduced to the world of Marley because of its exceptional sound quality and varied set list. The show is available to those who search. As always, thanks for reading!
Bob Marley and the Wailers 5-30-1980