Vox first started to build guitars in 1961, and in 1962 in
order to compete with American instrument makers Vox introduced their iconic Phantom guitar. Most if not all British
aspiring and popular rock and roll musicians were using the Vox AC-30
amplifiers as a cheaper alternative to paying taxes and import fees on American
made amps. Vox was started by Tom Jennings as a company that could compete with
the American companies like Fender, Gibson and Rickenbacker. In 1963 the
Jennings Company Vox debuted the Vox MK series of guitars often referred to as
the Teardrop and Phantom respectively.
The MK III Teardrop because of its use during the ‘Stones’
early ascension to popularity soon became synonymous with Brian Jones.
Similarly to Paul McCartney and his Hofner bass and John Lennon and his
Rickenbacker 325, when one thought of Jones the guitar was almost an
extension of his being.The guitar’s unusual body, unconventional build and use
by Jones assisted in making Vox the chosen guitar for many British artists
including the Hollies and David Bowie. As they say, ‘Imitation is the most sincere
form of flattery’.
The obvious marketing move was to get these instruments into
some of the famed British musician’s hands of the time for their use and for
some free promotion. At the time (1963) the Rolling Stones were inching toward
world domination and superstardom and were just beginning to reap the rewards
of their musical genius and instrumental prowess. Their early appearances
illustrate that the band had yet to upgrade their gear as a smattering of
Harmony, Selmer and Hofner instruments graced their stages. The first level of
their ascendant popularity consisted of appearances and promotions. Brian
Jones, guitarist and multi-instrumenalist and at the time the cherub faced leader
of the ‘Rolling Stones’ was the first lucky recipient of one of Vox’s premier
prototypes.
During this era of the Stones formative years Jones can be
witnessed playing a quivering slide part over the band’s plethora of blues
covers on the MK III, or scrubbing out a chugging metallic brush stroke of
rhythm. In addition to his ‘Teardrop’
guitar Jennings Musical Enterprises also gave Brian a matching Vox MK III 12
string which was handmade by Mick Bennett as was Jones’ 6 string.
Jones prototype guitar was built in Vox’s Dartmouth, England
factory and contains minor yet significant differences to the regular run of
instruments. The instrument contained two single coil pickups, a three position
selector switch for using one or both of the pickups respectively. Under the
switch the guitar had both volume and tone control knobs. The guitar setup was
based around and somewhat mirrored the popular Fender Telecaster alignment
which was also a guitar that many of Brian Jones’ idols played and he also
liked himself.
The headstock was arranged with ‘six on a side’ tuning pegs
and the Vox logo. The saddle/bridge was also modeled after the American
Stratocaster on Brian’s guitar edition with later mainstream editions including
a Bigsby vibrato tail piece. The bridge on Brian’s prototype originated from an original 1950’s Strat where it was removed and then affixed to the body of the Vox. (see video) The backside of the instrument shows a ground wire leading
from the back of the sustain block leading in lo-fi fashion to the guitars
plastic hatch. Many musicians and curators have remarked upon seeing and
playing the guitar that upon close inspection it is truly a ‘handmade’ guitar.
Lots of personality and mojo contained within.
Also unique to the
guitar was its ‘zero fret’ located at the top of the head stock to increase the
guitars sustain by holding the strings the appropriate distance above the neck.
Finally, as an added bonus the back of the guitar came with a circular snap on
protective pad which was designed to protect the guitar from the scrapings of a
musicians belt buckle.
The famed Vox was used often by Brian on stage in the bands
formative days. It can be seen in action when the Stones debuted on the Ed
Sullivan Show on October 25, 1964 as well as the group’s appearance on the Tami Show on where its stannic aesthetic can be witnessed chugging out the R and B
stomp critical to the Stones early classics (through Fender amplification). The guitars clean white lines,
elegant weeping shape and bristled tone matched perfectly with Jones unique
look and personality. Jones used the guitar on stage in 1964 and 1965 and it
quickly became a part of his image, the guitar was not used in the studio as
often as it is said that its shape made it hard to record while sitting down. While
the guitars studio use cannot be tracked perfectly, Jones did use the guitar on
the Stones classic ‘It’s All Over Now” where it’s trademark ‘tinny’ tone is a
result of the aforementioned single coil pickups.
As quickly as Jones had co-opted the Vox; as was his wont
Jones would use a number of other guitars throughout his tenure with the
Stones. Explorers, Les Paul’s and Gretch
would also help to create his instrumental arsenal. The Vox MK III’s own
handcrafted history in addition to its owner’s own unique musical aura add up
to one of rock history’s most recognizable and just plain cool guitars.
The
instrument was sold at Sotheby’s auction in 1984 for the blue light special
price of $3,200 to the Hard Rock Café. It has since been displayed for a number
of years and now can be located in the Hard Rock’s substantial London vault. It’s
obvious the guitar is saturated with some heavy duty mojo.
As a final aside, there is a tall tale that Ronnie Wood
picked up one of Brian’s Vox guitars (his 12 string?) to try on while the
band was in preparation for the Stones 1989 Steel
Wheels tour. The result being that he was quickly met with a sharp ‘Keep yer
fuckin’ hands off of it’ by Keef.
